Canova’s “Perseus with Head of Medusa” Essay

This piece, made to repeat the Greek traditional style, stands tall above access to the Metropolitan Museum of Art. This model, made by Antonio Canova in marble, was done in the mid nineteenth century. Generally, the story of Perseus and how he executed the mammoth lady, Medusa, is from ages previously, nonetheless, the craftsman decided to reproduce this scene from Greek folklore. Also, Canova utilizes numerous strategies that were utilized by Greek stone carvers, he utilization of definite life systems, a blend of apathy and depictions of anguish, firm stance, contrapposto and the hanging of the texture around Perseus’ arms. Perseus stands inflexibly, taking a gander at the head of Medusa. His appearance is unaltered. One leg twists toward her head, however it does as such in an unbending, awkward way. He holds his blade out to his right side, and her head to his left side. Texture is hung unnaturally off his left arm and it tumbles to the floor behind him. He has the perfect body, with splendidly chiseled and conditioned muscles. Perseus is stripped, spare a couple of extremely beautifying and lavish shoes. His body is in a bend, with his spine. He seems, by all accounts, to be a warrior, and he is triumphant in his destruction of Medusa. A sentiment of pride overpowers one when they take a gander at him, be that as it may, it is difficult to identify with him, since he doesn't feel genuine. He is adapted, yet doesn't seem regular or ordinary. Medusa, or rather her head, is held by its hair in Perseus’ left hand. He holds it out from him, in nauseate. Her face is squirming miserably, as she has been executed. Her snake-hair is exceptionally illustrative, and doesn’t look like genuine snakes. All things considered, in any case, her face doesn't delineate the genuine anguish or torment that she probably felt. It isn't naturalistic. She really has all the earmarks of being fairly admired. This piece brings out sentiments of solidarity, force and pride, nonetheless, I don't feel it summons feeling or compassion towards either character. Neither feels very â€Å"real† or characteristic, and consequently it is hard to identify with the figure.